February 12, 2010 § Leave a comment
Master Saxophonist Tony Malaby returns to the Underground this weekend in two formulations. On Friday, February 12th and Saturday, February 13th at 9:00pm, he appears with the Malaby Cello Quartet, with Daniel Levin on cello, Eivind Opsvik on elecric bass and Ches Smith, drums. On Friday and Saturday at 10:30pm, he appears as the Tony Malaby Quartet + Ben Gerstein. Gerstein joins on the trombone, plus Dan Peck on tuba; Ches Smith on drums, and, of course, Malaby himself on saxophone. Two nights, four shows, one extraordinary musician and some of his favorite fellow improvisers. Advance reservations are recommended.
Peep our entry on Malaby’s previous weekend extravangza for video & a little night music…
December 11, 2009 § 1 Comment
Top-class soprano and tenor saxophonist Tony Malaby takes over Cornelia this weekend, appearing in three separate constellations on Friday, Saturday and Sunday nights. In May 2009’s All About Jazz, Andrey Henkin had this to say about Malaby’s last performance at the Cafe:
The heart and pulse are often used as musical symbols for beat and rhythm. Make then what you will of saxophonist Tony Malaby‘s Exploding Heart with William Parker and Nasheet Waits. His Double Heart Band, a conceptual variation of that group as well as his recent Cello Trio, performed a remarkable set at Cornelia Street Cafe Apr. 12th. That it was Easter Sunday may have subconsciously contributed to the solemnity of some of the music but more likely it was Malaby laying back, reveling in the double double basses of Norwegians Eivind Opsvik and Ingebrigt HÃ¥ker Flaten, two sides of the same kroner. When Malaby plays a set (solely on tenor in this case) with his eyes mostly shut, listeners should know they are seeing him at his most focused. That was the case during the first set as he either floated nebulously over the dense weave of the two uprights, communed with one or the other or just stood motionless, smiling at the thrum. Drummer Tom Rainey laid his rhythms adroitly between Flaten and Opsvik, punctuating Malaby’s lines. Visually, the quartet seemed like a plane: Malaby in the cockpit, Rainey the crucial tailfin, the two bassists coasting through the air currents. The material was taken from the albums featuring Exploding Heart (Flaten subbed for Parker on a tour) and Cello Trio as well as four new pieces. Apart from the opener, the rest of the 65-minute set was played as a delicious medley,Malaby more interesting in braising than flambeing.
Malaby appears Friday night at 9 and 10:30pm with Tony Malaby’s Double Heart, featuring the aforementioned Ingebrigt Hacker Flatten and Eivind Opsvik on bass, and Tom Rainey on the drums. Cover charge is a mere 10 beans.
Malaby then REappears on Saturday night at 9 and 10:30pm with Tony Malaby’s Apparitions, featuring bassist Drew Gress and two drummers, Tom Rainey and John Hollenbeck, the latter of whom was recently nominated for a Grammy. Malaby has described playing with two drummers as “just the most comfortable couch, or like taking a warm bath, just being surrounded by that sound and falling into it.” Cover is once again $10.
Sunday night at 8:30pm finds MALABY-SANCHEZ-RAINEY taking the stage, with Angelica Sanchez on piano and Tom Rainey on the drums. Of this combination Troy Collins has said “Even without settling into typical rhythmic patterns or harmonic frameworks, the trio manages to insinuate forward momentum with a linear logic that reveals abstract lyricism. Working collectively, Malaby’s horn stands on equal footing with Sanchez’s electric piano, and Rainey’s drums provide as much harmonic color and texture as they do fluctuating rhythm. Conversational in the extreme, this is one trio that listens as well as it plays.” $10 more dollars and they’re yours for a night.
Here’s a short clip of the Apparition in action: